Performance | Portrait
2016
“an experience to be seduced by, to breathe with”
— Eva Yaa Asantewaa, Infinitebody, “A nearly-winter Wonderland of art at Invisible Dog”
Performance | Portrait was an interactive video installation that invited visitors into an intimate encounter with a performer. A life-size video image of one of four performers holding the gaze of the spectator was projected onto a vertical screen to form the environment. The live action was that of the visitor—whose performance as spectator determines playback of the recorded image. Utilizing a Kinect 2 sensor, the spectator’s gestures and shifts of weight (perhaps in empathic response to the performer) were tracked. The exchange was subtle and unpredictable, inviting a duet between visitor and projected image.
Performance | Portrait was commissioned by and premiered at The Invisible Dog Art Center.
Team
Lead Collaborators: Yanira Castro (Concept), Kathy Couch, Stephan Moore, Julie Wyman
Performers: Anna Azrieli, Leslie Cuyjet, Peter Schmitz, David Thomson
Works-in-Progress
BRIC, BRIClab, Brooklyn, NY, November 20–21, 2015
Ammerman Center for Arts & Technology at Connecticut College, 15th Biennial Symposium on Arts & Technology, New London, CT, Feb 25–27, 2016
Choreographic Interface Conference, Brown University, Providence, RI, March 3–4, 2016
Presentations
The Invisible Dog Art Center, Brooklyn, NY, December 3–31, 2016 and January 5–15, 2017 (World Premiere)
SPACE Gallery, Portland, ME, July 9–August 28, 2021
Bates Dance Festival, Lewiston, ME, July 14–31, 2021
Wndr Museum, Chicago, IL, February 26–August 18, 2021
Press
Eva Yaa Asantewaa in InfiniteBody, “A nearly-winter Wonderland of art at Invisible Dog”
Mark Rifkin, This Week in New York
Funding
Commissioning support for Performance | Portrait provided by The Invisible Dog Art Center and Immediate Medium, Catherine Tell Foundation, and the Creative Art Council at Brown University, as a part of The Conference for Research on Choreographic Interfaces (CRCI). It was sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by the Brooklyn Arts Council (BAC). The work was developed, in part, during a BRIClab residency at BRIC House (Brooklyn, NY), a residency with producing partner High Concept Labs (Chicago, IL), and with residency support from Gibney Dance Center (NYC), ISSUE Project Room (Brooklyn, NY), and Amherst College (MA). Additional support provided by UC Davis, CA.